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Showing posts with label Chretien de Troyes. Show all posts
Showing posts with label Chretien de Troyes. Show all posts

Sunday, March 24, 2013

Important Arthurian Works: Chrétien de Troyes

In the late 12th century, Frenchman Chrétien de Troyes was a poet in the court of Marie, countess of Champagne, suggesting he may have been a court poet. He wrote five major poems in eight-syllable rhyming couplets:
  • Érec et Énide (c. 1165-1170)
  • Cligès (c. 1176)
  • Yvain, the Knight of the Lion (c. 1171-1181)
  • Lancelot, le Chevalier de la Charrette (Lancelot, the King of the Cart) (c. 1177-1181)
  • Perceval, le Conte du Graal (Perceval, the Story of the Grail) (c. 1181-1190)
The first four were finished, but Perceval was not. He finished only 9000 lines, but 54,000 lines were added by four other writers. These works, especially the latter two, are significant for introducing the character of Lancelot and the quest for the Holy Grail to Arthurian legend. Those tales were expanded in the Vulgate Cycle in the first half of the next century.
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Sunday, March 17, 2013

Legend of the Holy Grail

The story of the Holy Grail is one of the most prominent stories which features into Arthurian legend. Like many of the tales associated with King Arthur, it has a historical basis, but over generations of retelling the story, it has taken on different twists.

Historically, the grail is considered to be some sort of container - generally a goblet - although this varies. There may be a basis of a cauldron with special powers in Celtic myth. The grail also portrayed as the cup from which Christ drank at the Last Supper and/or also may have been the chalice used to collect his blood after his crucifixion.

Joseph of Arimathea - who has been theorized to be Christ's great uncle - is, depending on the account, thought to be the person who brought the grail to England. It has specifically been tied to Glastonbury, which is generally considered the site of Avalon in Arthurian legend. It also considered to be the site of the first Christian church in England, built by Joseph of Arimathea.

image from messiah.edu

Chrétien de Troyes introduced the Holy Grail to Arthurian legend via his unfinished work, Le Conte du Graal (c. 1185), also known as Perceval le Gallois. The knight Perceval (later called Sir Galahad) encounters the Fisher King, who is stuck in limbo between life and death. Perceval is tasked with the quest of retrieving the Holy Grail, which will relieve the Fisher King of his suffering.

French poet Robert de Boron also took up the tale with three books, of which only Joseph d' Arimathea (c. 1200), has survived in tact. It has been retold as one of the Vulgate cycles in Estoire de Saint Graal (c. 1240). Fragments of the second, Merlin, exist and the third, Perceval, is lost. Didot Perceval (c. 1205) is considered a version of the latter, written anonymously in prose. In Joseph d' Arimathea, Boron extends the story of Perceval by introducing the idea that he is the pure knight who can sit at Siege Perilous, a special seat at the Round Table.

image from pantheon.org

In the context of the Otter and Arthur stories, the grail is shaping up to be the centerpiece of a possible third book, Otter and Arthur and the Holy Grail. While there is only a rough sketch at this time, the basic premise of the story may be that it is Sir Gawain who seeks the Holy Grail, an idea first put forth in Heinrich von dem Türlin's poem Diu Crône (c. 1220), which in English means "The Crown."


Resources:
  • Robert de Boron (c. 1200). Joseph d' Arimathea
  • Robert de Boron (c. 1200). Merlin
  • Robert de Boron (c. 1200). Perceval
  • Chrétien de Troyes (c. 1185). Le Conte du Graal or Perceval le Gallois
  • Didot Perceval (c. 1205)
  • Justin E. Griffin (2001). The Holy Grail: The Legend, the History, the Evidence. McFarland & Company, Inc.: Jefferson, NC, and London.
  • TimelessMyths.com: Grail Legend: Perceval's Tradition
  • Heinrich von dem Türlin (c. 1220). Diu Crône
  • Vulgate Cycle Estoire de Saint Graal (c. 1240)
  • Wikipedia.org: The Holy Grail

Monday, October 22, 2012

Character Study: Sir Kay

Sir Kay (aka Cai, Caius, Cei, Kai, Kei, Kes, Keu, Kex, or Queux) is one of the earliest figures to appear in Arthurian legend, having surfaced in the tenth century poem Pa Gur, classic early Welsh texts such as Culwch and Olwen, and the 12th century French poem Tristan and Iseult. The Vulgate Cycle and Le Morte d’Arthur established the story of Kay’s father, Sir Ector, adopting Arthur and raising him as Kay’s foster brother. When Arthur became king, Kay became the senseschal at Camelot, which meant he oversaw operations at the castle such as the supervision of the servants. He was one of the first Knights of the Round Table.

The works of Chrétien de Troyes depicted Kay as a troublemaker prone to incompetence, stubbornness, bragging, and a volatile temper. He is often depicted of manipulative of his brother, but ultimately as one of Arthur’s most loyal knights. Different accounts have Kay being killed by the Romans or in the war against Mordred, Arthur’s traitorous son. The 13th century French Arthurian romance Perlesvaus is one of the few sources which characterizes Kay as a traitor with him murdering Arthur’s son, Loholt.

image from tumblr.com/tagged/sir kay of Peter Mooney as Kay in the Starz TV series, Camelot

Otter and Arthur and the Sword in the Stone follows Kay and Arthur as they are tutored by Merlin. The book unfolds the familiar tale of Arthur as a squire for Kay in a jousting tournament. Arthur searches frantically for a replacement when Kay’s sword turns up missing and ends up pulling the sword from the stone and becoming king.

In the sequel, Otter and Arthur and the Round Table, Kay has been made seneschal at Camelot, but is secretly plotting against his brother. He aligns himself with Arthur’s bitterest enemies – King Lot and Morgan, Lot’s wife and Arthur’s half-sister.


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Saturday, October 13, 2012

Character Study: King Arthur

King Arthur is a legendary British leader from the late 5th and early 6th centuries. Arthurian literature gained widespread appeal in the Middle Ages, but waned until a major resurgence in the 19th century. Today Arthurian legend inspires not only literature, but film, television, theater, and other media.

While there is not one definitive source for King Arthur, some of the most popular characters generally included in the tales include the wizard Merlin who tutored him, his son Mordred who destroys Camelot, and his wife Guinevere who has an affair with the king’s best knight, Lancelot. Popular legends associated with Arthurian literature include him pulling the sword from the stone to become king, establishing a Round Table as his form of governing Britain, and the search for the Holy Grail.

image from www.historyanswers.co.uk

Otter and Arthur and the Sword in the Stone focuses on Arthur before he becomes king. He is raised by Sir Ector with Kay as his brother. Unaware of his heritage, he longs for greatness. The friendship he develops with a mouse nicknamed Otter proves to be just what he needs to fulfill his destiny – pulling the sword from the stone and becoming King of all Britain.

In the sequel, Otter and Arthur and the Round Table, Arthur has been king several years and is continuously fighting against forces trying to usurp his authority. With Otter at his side again, he comes up with the idea of a Round Table as a means of bringing forces together from throughout Britain to govern peaceably.


A Brief History of Arthurian Literature:

Arthur’s actual existence has been argued by scholars, a debate confused by some of the earliest references to Arthur in texts purporting to be factual accounts. The 9th century Historia Brittonum, attributed to a Welsh cleric named Nennius, is considered the first source to mention Arthur. It details twelve battles Arthur fought, including his final battle at Mount Badon in which he is said to have killed 960 men single-handedly.
The 11th century Welsh tales “Culhwch and Olwen” and the “Dream of Rhonabwy” appear to be the first stories to concern Arthur. However, it was Geoffrey of Monmouth’s Historia Regum Britanniae which truly popularized King Arthur. The work attempted to place Arthur in the official lineage of British monarchy and establish him as the leader who deterred Saxon invaders and united Britain.
In the late 12th century, French poet Chrétien de Troyes added the character of Lancelot and the quest for the Holy Grail to Arthurian legend. Those tales were expanded in the Vulgate Cycle in the first half of the next century.
Perhaps the most popular of Arthurian literature is Sir Thomas Malory’s Le Morte d’Arthur. While it keeps the Arthur story set in the Dark Ages, it framed the story in the more familiar medieval pageantry settings we know today, such as the fancy court of Camelot, jousting, and knights in shining armor.

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